
The Hawthorns, Hawthorn Drive, Wheaton Aston, Stafford, ST19 9NQ, UK
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Andrew Baker is a contemporary English composer who lives in Stafford. 'When I Learned to Fly' is a single movement in contrasting sections. Commissioned for the 1991 SRP Festival. Optional solo sections. SSAATTB.
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A portrait of Lichfield Cathedral, written for the 1984 Staffordshire Schools Recorder Festival. Fairly easy. Works one to a part and is also very impressive when played by a cast of hundreds! SSAATTB.
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A piece for recorder orchestra, written for the 1991 SRP festival at Stoke-on-Trent. SopSATBGb.
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Bach's clever setting of a popular carol contrasts nicely with Victoria's magical nativity motet. Arranged by by Alyson Lewin. SATB and SSATTB.
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A witty 7-part arrangement of Scott-Joplin's well-known piece. Arranged by Alyson Lewin. SopSAATTB.
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The publishers take no responsibility for injuries caused to anyone who tries to play and dance at the same time! Arranged by Alyson Lewin. SopSAATB.
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A gentle arrangement of Elgar's charming salon piece - written for his wife. Not difficult to play although the 'Palm Court sound' may require practice! Arranged by Alyson Lewin. SopSAATB.
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One of two instrumental canzonas (see also RA17). This edition is transposed down a fourth to fit recorders. Arranged by Greg Lewin. 2xSATB
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The companion piece to RA13. Interesting interplay between the upper part of each choir. Arranged by Greg Lewin. 2xSATB.
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A meaty piece with its feet firmly in the baroque era. Not easy to play but worth the effort. Arranged by Greg Lewin. SSATTB.
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Beethoven: Allegretto Scherzando (Symphony 8) An opportunity for the recorder ensemble to play some 'real symphonic music'. Arranged by Madeline Seviour. SSATTBGb.
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Faure's beautiful piece - well known as the theme tune for the 1998 Football World Cup! Arranged by Heather Wastie. SSAATB.
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An eight-part piece in Venetian style. Arranged by Greg Lewin from Lassus' setting of Psalm 110. Arranged by Greg Lewin. 2xSATB.
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One of Palestrina's best known motets, Tu es Petrus seems to have remained in constant use since its publication in 1572. Arranged by Greg Lewin. SSATTB.
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A beautiful two-choir motet by J. S. Bach's older cousin. Arranged by Herbert Hersom. 2xSATB.
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Two arrangements by Anne Martin. The first is the theme used by Britten in The Young Person's Guide to the Orchestra. The second is taken from an organ voluntary by the 18th century composer John Stanley. SSAATB and SSATB.
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The opening movement from the 1689 Ode for Queen Mary's Birthday. Arranged by Paul Clark. SopSATBGb.
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A lively setting of a mediaeval Christmas song which is still popular today. The top four parts have the melody in canon. Suitable for performance on many combinations of early instruments. Arranged by Greg Lewin. SSSSATB.
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An attractive arrangement of Debussy's parody of Wagner. From Children's Corner (1908). Arranged by Alyson Lewin. SopSAATTBGb.
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An eight-part ensemble piece by the great Venetian master. Moderately easy. Arranged by Dennis Bamforth. SSAATTTB.
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An eight-part ensemble piece by the great Venetian master. Moderately easy. Arranged by Dennis Bamforth. 2xSATB.
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A superb 7 part Christmas motet. Angels, Shepherds, the lot!. Moderately easy. Arranged by Greg Lewin. SATTTBB.
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An extended six-part motet from the mid sixteenth century. Moderately easy. Arranged by Greg Lewin. AATTBB.
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Eight-part Christmas motet. Praetorius also gives instructions for 'cut down' version for from 3 to 7 players. Moderately easy. Arranged by Greg Lewin. SAATSATB.
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A lively (and sometimes slightly inebriated) characterisation of this well-known local character by Alyson Lewin. SAATBGb.
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Two six-part settings of an Easter text: 'This is the day that the Lord has made. Let us rejoice and be glad in it'. Arranged by Alyson Lewin. SSATTB.
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Seven contrasting variations on a traditional tune. An excellent display piece for an intermediate to advanced ensemble. Highly recommended. An original composition. SSAATTTT.
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One of Byrd's greatest anthems! Arranged by Alyson Lewin. SSAATB.
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The well-known setting which is often performed at the King's College 'Festival of Nine Lessons and Carols'. Made by Bristolian composer Robert Lucas Pearsall in 1834 (but using a much earlier style - making it ideal for recorders). 2xSATB.
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Hassler studied in Venice with Andrea Gabrieli, where he absorbed the new Italian style which was soon to spread across most of Europe. This 8-part, two choir piece is the equal of Giovani Gabrieli. Some parts suitable for windcaps. SATB, ATTB
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Gabrieli meets Scott-Joplin for a bitonal relationship. A tremendously entertaining two choir piece which requires confident playing and much 'sticking to one's guns'. Definitely not one for the tonally monogamous. SATB,ATBGb
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A sizeable eight-part motet arranged by Herbert Hersom. Particularly suitable for large ensembles. Arranged by Herbert Hersom. 2xSATB.
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An ensemble piece written for the 1985 Staffordshire Schools Recorder Festival. Full of country atmosphere. SSAATTB.
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An entertaining piece from Denis Bloodworth - written for the 10th anniversary of the Kent SRP. Four fun movements: Latin American Rondo, Blues, Charleston and Quickstep. Good one-to-a-part but better with an ensemble. SATTBB.
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One of two monumental six-part fantasias. Full of bits of folksong (Greensleeves etc.) and ending in a jolly galliard. SSATBB
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A stunning piece - the closing section owes a lot to 'Packington's Pound'. AATTBB
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A fun piece for larger ensembles introducing many tunes about trees. Can you identify them all? Some divisi parts. sOPSSATBGb
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La Mourisque and La Bataille arranged for recorder ensemble by Alyson Lewin. Playable on a variety of combinations from SSAT to SopSSSAATTB.
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